Angel (William Smith), an outlaw biker, sells out his gang by exposing their wild conquests to Like magazine for $10,000. With his photo on the cover, Angel skips town and tries to start over with help from sheep rancher Dan Felton (Dan Kemp). An ex-motorcycle enthusiast, Dan becomes a mentor to Angel, giving him hope for a peaceful future. But Angel must put hope aside when members of his former gang viciously attack Dan's teenage daughter.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
