Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Tony, a mob loan collector, is dissatisfied with his station in life. Though he dreams of one day being rich, he is stuck with the dead-end job of beating up borrowers who fall behind in their payments. After meeting up with Napoli, another mob enforcer who's just been fired from his job, the two hatch a plan. Together, they will con mob boss Manzari out of a fortune, after which they can retire and live in luxury. Manzari, however, is not about to let them go so easily.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Korean Dramas deserve your attention and not just the ones on Netflix.