Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

One seedy, middle-of-nowhere hotel room -- viewed at three different points in time -- is the scene of most of the action in this film noir that revolves around the mystery of a young woman's abduction and her father's quest to solve it. Drawn again and again to the motel room where his daughter was last seen, Jon (Ben Siegler) can't see what the film's viewers can: what went down in that room before and after the girl disappeared.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.