'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

RUINS is the first pandemic related film that is told in the rebellious "TELL BUT DON'T SHOW" format. It is a futuristic story of six hospital employees told as found footage. Nine years after an infection that destroyed most of humanity, the survivors search among the debris to find clues of what really transpired. The excavation team finds a secure video package that tells the story of some of the staff in a hospital fighting the pandemic. The film portrays the trials and tribulations they face during complete chaos around them.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.