Negative Reactions to ‘Barbie’ Reveal the Pressure of Representation
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?

Integrating archival sources with pseudo-documentary fabrications, Jesse Lerner’s Ruins delves into the tangled legacies of Mesoamerican antiquarianism, revealing how archaeologists, art historians, and museum curators have, for centuries, fashioned various theories about pre-Columbian civilizations from the stuff of colonialist fantasies and ingenious forgeries. Structured around five key vignettes in this history, Lerner’s film combines travelogues, newsreels, and educational films to examine the claims of various experts like early-20th century “dean of the Mayanists” Sylvanus G. Morley and archaeologist Michael Coe, longtime curator of Yale’s Peabody Museum of Natural History.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.