'Feel The Beat'
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

Sonbert's vivid color palette enhances the ritualistic nature of each action observed. Set against this lush panorama, Sonbert subverts the expectation of classic cinematography with a liberal sprinkling of avant-garde techniques. The incorporation of the materiality of film, the treatment of light, and the use of a hand-held camera, all suggest the influence of Stan Brakhage (Sonbert's "hero"). Sonbert's use of the shot as the foundation of his silent montage works parallels the use of the frame as the basic filmmaking unit in the films of Gregory Markopoulos (Sonbert's "mentor"). -- Jon Gartenberg. Preserved by the Academy Film Archive in 1998.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.