Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Royal Kitchen in Qing Dynasty poster

Royal Kitchen in Qing Dynasty 

Tells the love story of a pair of lovers in the Forbidden City who have passed the test in a specific environment and become a family member. The protagonist Jing Xian Ge and the palace royal chef Zhang Dong Guan overcome the differences in traditional family concepts, the disparity of identity and the pressures in specific spaces, and help the people around the palace, princes, generals, grids, and servants to solve problems and make The delicacies of elaborate cuisine resolve all kinds of contradictions. In the process, the two people overcome all difficulties, understand each other better, silently complete self-growth, and finally return to the life of ordinary people.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Tells the love story of a pair of lovers in the Forbidden City who have passed the test in a specific environment and become a family member. The protagonist Jing Xian Ge and the palace royal chef Zhang Dong Guan overcome the differences in traditional family concepts, the disparity of identity and the pressures in specific spaces, and help the people around the palace, princes, generals, grids, and servants to solve problems and make The delicacies of elaborate cuisine resolve all kinds of contradictions. In the process, the two people overcome all difficulties, understand each other better, silently complete self-growth, and finally return to the life of ordinary people.

Rating:
Genre:Drama, History
Directed By:Bai Yunmo, Yu Zheng, Guo Hao
Written By:
In Theaters:
Box Office:

Runtime:105 minutes
Studio:

Articles You May Like


The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik