Not So ‘Brand New’ Cherry Flavor
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
Rose Hill (1997)
Four orphan boys running from the law in New York stumble upon a baby in a carriage. They decide to head west and take the baby which they name Mary Rose with them. Eventually they set up a ranch which they name Rose Hill. Mary Rose grows up to be a beautiful woman and gets involved with a man who kills one of her brothers. Her brothers then explain to her that they found her in New York and she returns to find her real family. During this time Rose Hill is falling apart since her oldest brother has fallen ill and her other two brothers have gone their separate ways.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Four orphan boys running from the law in New York stumble upon a baby in a carriage. They decide to head west and take the baby which they name Mary Rose with them. Eventually they set up a ranch which they name Rose Hill. Mary Rose grows up to be a beautiful woman and gets involved with a man who kills one of her brothers. Her brothers then explain to her that they found her in New York and she returns to find her real family. During this time Rose Hill is falling apart since her oldest brother has fallen ill and her other two brothers have gone their separate ways.
Rating:
Genre:TV Movie, Western, Drama
Written By:
In Theaters:4/20/1997
Box Office:
Runtime:90 minutes
Studio:Hallmark Hall of Fame Productions, Boys Next Door Productions Inc.
Cast
Christopher Cain
Director
Jennifer Garner
Mary Rose Clayborne / Victoria Elliot at 17
Jeffrey D. Sams
Adam Clayborne
Zak Orth
Douglas Clayborne
Justin Chambers
Cole Clayborne
Tristan Tait
Travis Clayborne
David Newsom
John Stringer
Casey Siemaszko
Fergus Carroll
Stuart Wilson
Richard Elliot
Kristin Griffith
Annie
Vera Farmiga
Emily Elliot
Carmen Moore
Shining Water
Articles You May Like
"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Negative Reactions to ‘Barbie’ Reveal the Pressure of Representation
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
“The Thursday Murder Club” Provides a Cozy Mystery
As a frequent “the book was better” extoller, this movie was well worth the watch.
The Case of 'Rise of the Pink Ladies' and 'A League of Their Own': Why Won't Hollywood Give Sapphic Shows Their Due?
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.