Rosalie has had enough of "family life", in other words of Georges, her weak husband, and of her cantankerous mother-in-law. One day she decides to hit the road, not knowing where she is going. Joséphine is fed up with... being fed up with life. One day she decides to say no to cancer and depression and she hits the road. Her goal is to join her daughter Carole with whom she has been at odds for ten years. Rosalie and Joséphine, the two confused women meet, journey together, help each other and little by little become inseparable friends.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
A summary of the films featured in this annual event taking place in Westchester.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
