Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Wealthy ranch owner Cheyenne Harry decides he needs a housekeeper, but his cowboys decide he needs a wife and advertise in an eastern newspaper. The ad is answered by Aileen Judson-Brown, as dictated by her fortune-hunting mother. Harry marries Aileen and a baby is born a year later. Deciding to gain more money and social standing, Mrs. Judson-Brown then tries to break up the marriage so that Aileen can marry Ferdie Van Duzen. Mrs. Judson-Brown steals the baby and tells Harry the baby has died and Aileen no longer loves him. Harry goes out West in sorrow, but when Mrs. Judson-Brown's butler wires Harry the truth, Harry locates the baby and discovers Aileen still loves him. The reunited family goes West together, leaving Mrs. Judson-Brown behind.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
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