'Godzilla vs. Kong' : Yes, I'm Still Team Kong
The latest MonsterVerse film delivers everything it promised.

44 studios in Mangwon-dong, Seoul. An uninvited awakes people in the morning. The omnibus film "roooom" preaches the irresistible power of love and desire. It links the stories of four people in one space. However, the multiplex housing, a Korean housing type different from American hotel rooms, allows of a different type of story. It is a building manager to weave them together. He gets snaked, trying to get rid of a man illegally occupying his girlfriend's room, is visited by a mysterious woman, and witnesses the challenge and frustration of a young man dreaming of a rosy future. There are no common themes in the four episodes without the presence of the manager. "roooom" tells the verisimilar stories about ordinary people, but they have their skeletons in the closet.
The latest MonsterVerse film delivers everything it promised.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Emily and Stephanie are back... just add gin and drama.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.