Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

When Wayne Rooney scored against Switzerland at Wembley in September 2015, he became England's greatest ever goalscorer, eclipsing a record held by Sir Bobby Charlton for almost half a century. But who is the real Wayne Rooney, off the pitch and away from the glare of the media spotlight? For the first time, he has allowed a television production team, as well as BBC football presenter Gary Lineker, unique access to his life with wife Coleen and their two sons, Kai and Klay. Wayne takes us back to Merseyside as we meet both his and Coleen's parents, and we discover the details of the couple's early life together. Featuring extensive interviews with Rooney himself, plus Coleen Rooney, Wayne's parents, David Beckham and Real Madrid star Cristiano Ronaldo, along with a host of figures from the world of football, Rooney: The Man Behind the Goals offers an extraordinary personal portrait of life in Wayne's world.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.