Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

In Room Service, Ethan rents the “services” of Stone, 90s TV-actor-turned-escort and the object of his adolescent dreams, and discovers that childhood fantasies can be more satisfying than adult realities.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.