‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

Lyrical story about a young double bass musician who travels with fellow musicians out of town to play at a wedding in a summer house. A thief and a girl, a bride at a wedding, will unexpectedly determine his fate. In a film without dialogue, music has a special role.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
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