'Brother' Fearlessly Tackles All Aspects of the Immigrant Experience
'Brother' is a gripping family drama with dazzling performances all around.

In 1999 the old sport of skiing had just been given new life, and Level 1 was conceived to document its progress into the future. With twenty years in the rearview mirror it still stands true- new things never get old. Romance, the final chapter of annual films by Level 1, captures a modern-day Golden Age in skiing. Featuring a generation of talent that came of age in the best time to ever do it. Tweaking the formula, tweaking the grab, and in it for nothing but the love.
'Brother' is a gripping family drama with dazzling performances all around.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
A wholesome love story that's perfect for fans of romance movies and animal lovers.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.