A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

Alvaro is been in jail and so he consider himself the most fit to lead his three friends Mario, Otello and Spartaco. The four young men decide to start a business. They need only a van to start a transport company. But they lack the money. How can they get it?
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?