Cartoon Saloon: An Irish Animation Studio that Needs More Attention
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.

A group of young adults fight against rabid creatures spawned from a government experiment gone wrong.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.