Rocky III (1982)

In a very lonely time, filmmaker Samantha Mitchell manages to spin a painful memory into a film that celebrates connection, community, and a love of parties.

The melancholy of isolation is suspended for the brief 14 minutes of this film as an immediate connection is created between audiences and the subjects of RSVP. Each charming and insightful in their own unique way, this film explores the importance of gathering together, told through many different perspectives.

My heart aches for Samantha during her opening narration as she explains her own difficult relationship with parties. But very soon after, a natural warmth settles into the narrative through the interviews she skillfully conducts. In this way, she very nicely incorporates our festival’s theme of “loneliness” with the desire and relief of community. This short documentary has a very cozy pace, lightly bouncing between the homes of her subjects as they offer their diverse perspectives. Their differing life experiences create an all-encompassing picture of why bringing loved ones together is so important to them. The joy of their shared experiences is infectious and uplifting.

This film has wonderfully written narration, beautiful cinematography and seamless editing. Though Mitchell’s passion for this subject is very apparent in her film language, some missing pieces of information prevent me from fully understanding each subject’s particular contribution to what we see on screen. While we see that the food is being served and wine is being poured, for certain subjects, the nature of their get-together would have benefited from more explanation. Fortunately, reading the director’s synopsis of her film filled some of these gaps.

One character’s message is the takeaway of this film, and it could not have been portrayed in a lovelier fashion — “There’s always something you can do…to make people feel like they’re welcome”

Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention. Wahlen’s film includes very little dialogue. Nonetheless, we can see a clear romance budding between these two girls through actions, mannerisms, and of course — the things that they write on the whiteboard.

We get our only spoken words in this film when one of the girls tries to start a conversation with the other girl in detention, but she is interrupted by an abrupt “shush” from their teacher. This leads to the reason for the title of this short film, as the two girls begin to communicate through the whiteboard after their teacher falls asleep. We can then see the beginnings of a blossoming romance as the whiteboard is slowly revealed at the end of the film.

While the film is short and we don’t see what happens after the characters leave detention, it sets up a beautiful story, and we can only assume that they went out on a date after detention ended.

The camera work for this film is standard, but it works for the story. The characters’ faces are never shown, which is an interesting choice when coupled with little to no dialogue, as it can be challenging to tell a story with no spoken word and no facial expressions. The Whiteboard does an excellent job telling the story through body language and action. I also enjoyed the attention to sound design in this film, as every noise is apparent as if filling the space where other films would use dialogue. Every subtle sound is heard and amplified — whether it be the pop of a marker cap coming off, or the squeak of the marker on the whiteboard.