Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

Director Rocco Siffredi enjoys putting wild, unpredictable girls in crazy situations, in hopes of bringing out nasty surprises. Rocco's Psycho Love 2 features five scenes of sexual insanity highlighted by a raunchy five-way orgy party starring three incorrigibly horny sluts and two legendary cocks. Rocco and Lexington Steele had never performed together before, but by the time they're through, Sophie Dee, Ashli Orion and Kelly Divine have taken yards of alternating black and white meat in all their insatiable holes.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.