Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Robinson Crusoe poster

Robinson Crusoe 

Daniel Defoe's classic tale of survival is handsomely brought to the movies for the first time in this rarely seen 1927 film, produced by Rex Pictures, a division of Universal. M. A. Wetherell, who stars as Robinson Crusoe, produced, directed and adapted the story for the screen, admirably condensing a lengthy slow-moving novel into a taut, exciting screen adventure. The costumes and production values match the fine performances and all of the island sequences appear to have been shot outdoors, convincingly on location. Crusoe's improvised island apparel and makeshift architectural constructions are creatively and faithfully rendered.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Daniel Defoe's classic tale of survival is handsomely brought to the movies for the first time in this rarely seen 1927 film, produced by Rex Pictures, a division of Universal. M. A. Wetherell, who stars as Robinson Crusoe, produced, directed and adapted the story for the screen, admirably condensing a lengthy slow-moving novel into a taut, exciting screen adventure. The costumes and production values match the fine performances and all of the island sequences appear to have been shot outdoors, convincingly on location. Crusoe's improvised island apparel and makeshift architectural constructions are creatively and faithfully rendered.

Rating:
Genre:Adventure
Directed By:M.A. Wetherell
Written By:Daniel Defoe
In Theaters:
Box Office:

Runtime:65 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger