Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.

A few unknowns about Robin Hood & his merry men: 1) Not only were they uncut, all were very well-hung. 2) What was really going on in that forest. Friar Fuck and Will Scarlett 69-suck each others big, stiff staffs. The Friar yields ... getting his ass well-munched before shoving his pole in Will's tight & tender hole. Robin Hood's pucker gets its fair share of tongue action as a precursor to a deep, raw fucking from Sir Guy's long and thick beef-stick. His gag reflexes are later tested and soon enough... he's on his back for some more ass-pounding action. Watching one of the sheriff's men plowing Not-so-little John is much like seeing a Chihuahua fuck a German Sheppard. And equally hot is when they switch roles and John gives it right back to his adversary... proving that every dog has his day! Will and the Friar get their cocks serviced by Much The Miller's Son. They take turns pumping his hungry ass while the other stuffs his mouth with their hefty cocks.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.