Robbery at the Rockvale Theatre 

We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters. 

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.