"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Filmed by Jason Massot over four years, Road to Las Vegas is a dysfunctional love story about new beginnings, past ghosts and the infinite promise of the American West.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
Korean Dramas deserve your attention and not just the ones on Netflix.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.