"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

In a small apartment in the city, a mother and her son live their own secret and silent routines, sharing these not even with each other. They would like to spend time together, perhaps even talk to each other, but he grows up with animals and planets, whereas she is always elsewhere. The long and circular days push them further inside themselves, but maybe the spark of an unexpected connection can still set them free.
Effortlessly beautiful and surprisingly tragic.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.