"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

Gedeon Gerlóczy played an important role in Hungarian architecture between the two Wars. Simultaneously with his flourishing career, he brought Csontváry's paintings to life. In 1919, he finds them, falls in love with the paintings, and buys them from the painter's cousin. For 56 years, he worked hard to preserve them and makes the oeuvre known. We get to know his career, and at the same time the painter comes to life.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
This is not a story of oppression but a story of liberation.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.