“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

Kasi, a 16-year-old girl, unexpectedly meets her dead father. Although they had barely spoken and Kasi didn't even attend his funeral, her dad is eager to mend their relationship and start afresh.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.