The Invisible City of Kitezh, completed in 1905, is a remarkable opera that fuses folklore, mysticism and realism. Its subject is the story of the advancing Mongol army's entry to Great Kitezh and the city's subsequent miraculous survival. Rejecting archaisms and the more religiously inclined suggestions of his librettist, Rimsky-Korsakov sought to create an opera that 'is contemporary and even fairly advanced'. It is therefore through-composed, hinting at times at Wagnerian procedure, and flooded with the composer's rich, apt and brilliant orchestral palette, fully supportive of the powerful vocal writing.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
For those tranquil houses with white fences, what is happening behind every closed door?
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
