Rikki is a young mongoose who is adopted by a human family after nearly drowning in the river. He returns the favour by protecting them from two murderous cobra.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This sports drama movie is centered around an Asian American boy named Chang.
