It's 'A Loud House Christmas'!
This holiday movie serves as the prequel to the TV series The Really Loud House.

When a sharp-tongued court jester Rigoletto is cursed for his spiteful words, he is forced to hide his unworldly daughter Gilda from his own licentious master the Duke. For Verdi’s wonderful ambivalent hunchback, paradise is the peaceful home and family that he struggles to protect. Opéra Orchestre national Montpellier Occitanie’s production of Verdi’s opera confronts the two faces of Rigoletto: that of the loving father-monster who locks up his daughter from the very first scene, and his alter ego, the modern-day buffoon. While the latter, like a comedian alone on stage, sneers at power and the elite, the former reveals his darkest fears and persecution complex.
This holiday movie serves as the prequel to the TV series The Really Loud House.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.