“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

To elevate a jester to a tragic stature comparable to a Macbeth or a Lear is no easy feat. The dramatic essence of Shakespeare runs in the veins of this Rigoletto, although the story is based on the controversial Le roi s’amuse by Victor Hugo. While the play was prohibited in France for more than fifty years, Verdi himself fought with the censors who initially prevented the publication of his opera. Multi-faceted, perhaps more than any other opera by Verdi - tender, cruel, interspersed with remarkable strokes of black humour -, Rigoletto is also a heart-wrenching study about the love between a parent and a child. Given the helplessness of a woman in the face of a group of men, Teatro Real’s production, which is directed by Miguel del Arco, also considers society's concept of masculinity. Nicola Luisotti conducts some of the great voices of our day, including Javier Camarena, Ludovic Tézier, Marina Viotti and Adela Zaharia.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
'Brother' is a gripping family drama with dazzling performances all around.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.