10 Women in Science Fiction Films
Women have always been integral to science fiction, and these amazing women prove why.

Mike, Kevin and Bill were joined on stage by their MST3K colleagues at the State Theatre in Minneapolis to bring it back to their roots in an MST3K cast reunion the likes of which have never been seen before! Joining the guys are their old cohorts Frank Conniff (TV's Frank), Trace Beaulieu (Crow, Dr. Forrestor), Mary Jo Pehl (Pearl Forrester), Bridget Nelson (Nuveena, Mr. B), as well as Mystery Science Theater 3000 creator Joel Hodgson, AND the host of the revived MST, Jonah Ray, for a hilarious night of riffing for RiffTrax's 20th Live event. Taking turns in various permutations to riff on a slew of old-timey shorts, the show culminates in a Super Riff-A-Palooza finale with all nine riffers on stage at once!
Women have always been integral to science fiction, and these amazing women prove why.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
If you remember the days of the 24 hour Overnight Challenge on YouTube, Secret Mall Apartment will tickle your nostalgia receptors.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.