Scott, a poor farm boy, is given a wild pony from a wealthy ranch owner's herd to ride to and from school. Scott and his pony soon become an inseparable team, until one day the pony suddenly disappears. Soon after, the ranch owner's handicapped daughter Josie has a wild pony especially trained to pull her cart. But Scott is convinced that Josie's pony is actually his, which leads to a court battle that divides their small Australian town. One child must ultimately lose the pony when true ownership is decided.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
More than a coming-of-age story, Caity is a movie about losing the naivety of childhood before you're ready to.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
It's sexy, regardless of what else is going on.
This horror movie combines elements of horror and babysitting with Black representation.
