
When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss' score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz, chief conductor at the Konzerthaus Berlin, conducts the Orchester der Oper Zürich.
Growing up is a challenge for everyone.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.