Born and raised in poverty, Marguerite Clark has learned to expect very little out of life and thus is rather surprised to learn that she is the niece of a wealthy financier. Alas, this puts a crimp in her romance with a handsome young architect, who has long despised the financier for causing the downfall of the architect's father.
J. Searle Dawley
Director
Marguerite Clark
Betty Wynne
Richard Barthelmess
Bayard Varick
George Backus
Henry Mapleson
Frederick Warde
John K. Beeston
J.W. Herbert
De Courcey Lloyd
Augusta Anderson
Mrs. De Courcey Lloyd
Donald Clayton
David Lloyd
William Wadsworth
Henry Evans
Ottola Nesmith
Mrs. Wynne
Mary Davis
Mrs. Tilney
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The Rocky Horror Picture Show not only supported Tim curry queer individuals who were closeted or harassed. It made people question their identity, orientation, and lifestyles that they never had before.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.