'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

After receiving an advance inheritance, a bored London couple set off on a world cruise hoping to rejuvenate their marriage and escape their dull routine. But newfound wealth and freedom only expose deeper cracks in their relationship, as each becomes infatuated with someone else. Their journey through exotic ports and mounting disillusionment ultimately brings them face to face with the fragility—and resilience—of love.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
‘The Bear’ Season 2 has all the right ingredients for both comedy and drama.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.