Rice 

It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation

This is not McDonald’s.  This is something different. 

This reboot of The Wonder Years is told from the lens of a Black man.

A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

In 'Maestro,' we're left with an impression but not with an understanding of the main character.