The Rhine is the center of the European soul, the continent's largest and most important river. Over thousands of years, it has formed unique cultural landscapes on its way from the high Alps to the North Sea, in which peoples and nature have shaped each other. On its way from the Gotthard massif to the sea, it connects six countries: Switzerland, Austria, Liechtenstein, Germany, France and the Netherlands. For centuries, the Rhine separated the Germans from France, but for almost 70 years it has connected these two countries. But Luxembourg, Belgium and Italy are also within its sphere of influence. Film follows the course of the river exclusively from a bird's eye view and presents a fascinating panorama from the center of Europe that develops its full power on the big screen. From above, our homeland is no longer the same: the glittering floodplains of the Rhine are reminiscent of the Caribbean, the meadows in the alluvial plains look like the Serengeti.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
