Tubi Halloween Picks
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.

The Rhine is the center of the European soul, the continent's largest and most important river. Over thousands of years, it has formed unique cultural landscapes on its way from the high Alps to the North Sea, in which peoples and nature have shaped each other. On its way from the Gotthard massif to the sea, it connects six countries: Switzerland, Austria, Liechtenstein, Germany, France and the Netherlands. For centuries, the Rhine separated the Germans from France, but for almost 70 years it has connected these two countries. But Luxembourg, Belgium and Italy are also within its sphere of influence. Film follows the course of the river exclusively from a bird's eye view and presents a fascinating panorama from the center of Europe that develops its full power on the big screen. From above, our homeland is no longer the same: the glittering floodplains of the Rhine are reminiscent of the Caribbean, the meadows in the alluvial plains look like the Serengeti.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.