"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

The Master of the Order of Unholy Power, who has ruled this order since the creation of the world, returns to his native hell after a long absence to be greatly surprised. The Grandmaster who has taken over the Order has drastically changed both foreign and domestic policy. In an effort to earn God's forgiveness, he has established an ironclad and virtuous order in Hell. He also intends to organize the same on Earth, so that people, like devils, began to walk in formation and eat semolina without salt and sugar. As a model for imitation Grandmaster chose the city of Perm, as the most law-abiding and obedient place on Earth. It is there, under the guise of a scientific conference, that a virtuous sabbath will take place, during which the future mother, chosen by astrologers, must marry one of the two candidates for the role of the father of the future messiah. Not the Antichrist, but exactly the messiah, with the kindest and most glorious tasks, to lead the pacified humanity.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.