Revizor 

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.

If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.