Revisiting 'Rocketman'
Falling in love with 'Rocketman" all over again.

The film is based on the best-selling suspense novel "The Long Corridor" by Keigo Higashino. There are countless secrets hidden in the cloister pavilion mansion. After the rich merchant died of illness, a fire murder case that occurred a year ago was revealed, involving the first heir of the estate, that is, the illegitimate son of the deceased, making the distribution of the estate complicated.
Falling in love with 'Rocketman" all over again.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.