Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Klaus kinski plays the ghost of Duncan McBride, murdered owner of a plantation and ruby mine on the island of Sunanow, in the South China sea. The mine, and the Curse which killed his uncle, are inherited by the inept Gene who comes from San Francisco to look for the Six Stars, (missing rubies) accompanied by the lovely Kelly Scanlon and persued by the villanous Alex and Lupe. Written by Michael Crew
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.