An upstanding provincial reporter becomes presenter of the TV news on a commercial network owned by an influential Italian businessman. He soon outgrows his family and neglects them terribly. Investigating a fascist terrorist cell, the reporter's integrity is called into doubt by the police. Soon after, his jealous wife unleashes her wrath live in TV. It goes from bad to worse until his wife's anger brings him back to his senses and back home.
Jeannot Szwarc
Director
Christian Clavier
Gérard Bréha
Clémentine Célarié
Marie-Ange de la Baume
Marie-Anne Chazel
Corine Bréha
Annie Cordy
Jany
Philippe Khorsand
Régis Montdor
Antoine Duléry
Alex
Franck de la Personne
Stéphane
Marc de Jonge
Vernon
Angelo Infanti
Giacomo Contini
Jean-Paul Muel
Castol
Maurice Lamy
L'albinos
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Now that we're officially halfway through Hispanic Heritage Month, let's look ahead at movies featuring Hispanic & Latine representation through the rest of 2021.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.