
Amos Guttman's short film follows one evening in the life of a boy who works in a puppet theater. The film, which blends reality with imagination and materialization and hallucination, describes the preparations for the premiere that will take place the day to come, the boy's connections with those around him, his loneliness and his dreams.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.