Yong-cheol, a gangster living in the 1930's, gains the reputation of having amazing fighting skills. However, he decides to give up his lucrative but dangerous calling for his girlfriend. He agrees to do one more job for his boss, but during the robbery, he winds up killing his girlfriend's brother.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
A family drama is woven with quiet yet powerful forces of words and nature.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
