Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
Brandon Thaxton, Ricky Hess
Director
Baby Norman
Aunt Miemi
Jeremy Michael Grey
Ferd
R.C. Sayyah
Jake Bodyn
Stephanie Stevens
Doreen Grey
James Edward Thomas
Al Sharko
Ann Marie Gideon
Collette Wisenheimer
Katrina Rarick
Jonnie Rhey
Jason Will Gaglione
Davie Jonas
Tony Folden
Rufus Bass
Montrel Miller
Tyrone Thaddeus
Jenny Hall
Lorelie
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.