Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

At the 26th century, Earths core exploded in a mysterious way, humanity was forced to evacuate earth. 65 years later, one of the last survivors spent money on operation return to earth, which has discovered earth is back in shape but in difference by look, other planets gathered around it to give earth air. 2565 is the year we will return to earth. Three pilots from the new Terran confederation space force unit has signed up for the mission to investigate earth. One of the pilots name Li Shuai, on board TCS Macau, discovers a jump point that of some sort of space tunnel that leads directly to earths core. After a brutal attack on the pilots, Li Shuai managed to escape through the tunnel and crash land on an unknown planet, with no idea where he is, at the same time a convoy of 200 passengers waiting for a signal to land on earth. But unknowingly there might be a traitor among them.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."