Maria returns to the city where her family lives, her friends — those whom she loves more than life, those with whom she was separated for six long years. Mary was convicted of murder. A small town where everyone knows each other, still at a loss: how could a young woman kill her husband? Only Mary herself knows the truth and the price of this tragic event from the past. The long-awaited return home becomes a real test for her.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
