
Maria returns to the city where her family lives, her friends — those whom she loves more than life, those with whom she was separated for six long years. Mary was convicted of murder. A small town where everyone knows each other, still at a loss: how could a young woman kill her husband? Only Mary herself knows the truth and the price of this tragic event from the past. The long-awaited return home becomes a real test for her.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.