Return of the Wildcats is the second snowboard video from the infamous Canadian/American crew and as you would imagine the vid contains plenty of sick footage...Although a lot of the video is made up of footage of the likes of Trevor Andrew pissed and falling around the place, there's also a lot of good snowboarding...All the team riders have good individual sections...Kale Stephens has the first section with plenty of snowmobile action as well as some sick snowboarding including a massive cab 900. Chris Brown's section is one of the best with the tune "I'm an Arsehole" by Dennis Leary going down very well. Also features Max Jenke, Devun Walsh, Chris Dufficy, Dionne Delesalle, Joni Malmi, Paavo Tikannen, and plenty of others.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
“There’s always something you can do…to make people feel like they’re welcome”
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
