"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

Armelle, a French nurse who just recovered from the stab in the face she got from Nadim, his partner, starts a search to get back her daughter, who was taken away by Nadim. Alone before the law, she will do all she can to reach her objective. She puts up posters, founds an association, gets funds to pay for the search, and informs the media about it. An amazing human team gets down to work from France to Montreal, including Paris and Vancouver, until Armelle can hug her daughter again in an airport in the east of Canada, almost three years after she had lost her.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.