A story of friendship between a young convict who is forced to work in a retirement home and a group of crazy old people. Together they organize their escape.
Thomas Gilou
Director
Kev Adams
Milann Rousseau
Gérard Depardieu
Lino Vartan
Antoine Duléry
Daniel Ferrand, director of “Mimosas”
Mylène Demongeot
Simone Tournier
Marthe Villalonga
Claudine Valège
Liliane Rovère
Sylvette Leroux
Daniel Prévost
Alfred de Gonzague
Firmine Richard
Fleurette Jean-Marie
Jean-Luc Bideau
Edmond Van de Wer
Marianne Garcia
Léontine
Jarry
Alban
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.